D is for Dreaming
I feel obliged to write this because it is such an important topic. My relationship with dreaming as an experimental, concentrated study of a shamanic artform accelerated and then spluttered to a halt at the end of my teenage years.
I had dedicated serious time to it, keeping a dream journal so that I would write down whatever I remembered from dream upon waking. This is the favored technique for developing dream recall. Keep pad and pen next to bed. It only takes a few weeks before vague recollections become intense, lucid dreams with a great amount of detail remembered upon waking. Certainly, I became increasingly aware and alive during many dreams at this time, in a way that I cannot achieve in my waking state. I had been reading Carlos Casteneda's the Art of Dreaming which focused me a lot.
When I saw floods and asked where it was, the voice replied; "Papa New Guinea" and then; "Everywhere." In the years around the millennium there were many flooded coastlines, all over the world. Papa New Guinea flooded a month after my dream.
When I watched the Twin Towers collapse and then two weeks later they actually were demolished, I closed my dream journal. I couldn't take any more. Cynics would accuse me of faking the journal to protect their ignorance. I didn't, it is real. I left it on the bookshelf and haven't opened it since.
Scrying dreams are one aspect, because when we dream we leave the material world and the laws of physics governing reality are such that the material world is the time based world. Time = Matter and Matter = Time, it is a law of physics. Different materials vibrate at a different tempo and exist in a different time-zone, we get the sensation of deja vu when timestreams combine.
I dreamed I was speaking with a person from the past a few hundred or more years ago, and one from the future. We established this as a fact, and the three of us agreed that Dream takes us out of our material waking time and places us into a different realm where time doesn't exist in the same way.
Another aspect of Dream is shared dream. One of the locations I dreamed of and drew, my friend who I have dreamed walking around a building representing my mind, opening doors for me to make better connections, he told me that he had dreamed about the temple garden in my drawing. I asked him what lay just to the left of the courtyard and he laughed, described the well. Little facts like this are proof positive that Dream locations exist and are as real as material world locations, and can be visited by different dreamers. When I was staying with my mate in Somerset, we both dreamed that we were renegade soldiers fighting the military who had teamed up with hostile aliens, against another part of the military who had teamed up with friendly aliens, renegades from the hostile ones. It was complicated and we resolved the most surest way to cleanse the whole situation and save humanity at large from the threat was to blow everything up. We did just that and on waking, "I dreamed about you last night!" "Yeah we were fighting aliens" "Oh my god!" etc.
Dreams to program reality into being are something that I got into after these initiation stages. I would dream of being present to pacify bullies by taking away their weapons and to counsel their victims. Or to speak with people who needed healing, knowing that I was communing with their dream-soul self who had sought me out for guidance, needing help.
I have not dreamed fully like this for many years.
To Dream you need excess sleep; and now, I do not get enough sleep.
I watched an amazing film by director Peter Weir called The Last Wave, the first time that any aboriginal Australian shaman appeared on film doing their rituals, real genuine rituals woven skillfully into the movies storyline. It teaches Dreamtime. When the director arrived in town looking for the shaman, the shaman found him "come, we have been expecting you, to make movie." he said. The film uses the aboriginal Australian word for Dreamtime; Manaya. The Mayan cultures of the America 's use the same word to describe dreamtime. It is a word learned from Dreamtime, and the shamen of all these groups communicate in the dream worlds, and throughout 'time'. Obviously.
Time is frequency based, it is not linear. This concept takes a lot for western muggles to get their heads around. Linearity exists only because we are falling forward toward the light, as reality accelerates, the frequency shifts upward. It is imperceptible for the most part however it does have the effect of creating forward motion called Time, which varies from observer to observer depending on the energetic density of that observer.
Events repeats itself in loops, as Time cycles, spirals.
The aboriginal Australians are the planetary knowledge holders, wisdom-keepers, for these physics. They describe the Dreamtime as a creative time, where our songs are heard and which then manifest as lived events. This is another aspect of Dreaming, another use of the same word for a different context. Bruce Chatwin's the Songlines is a tremendous start in the journey of comprehending the importance of this concept, that we manifest experience from our preconceptions. This is the core of modern contemporary magickal ritual work.
I feel obliged to write this because it is such an important topic. My relationship with dreaming as an experimental, concentrated study of a shamanic artform accelerated and then spluttered to a halt at the end of my teenage years.
I had dedicated serious time to it, keeping a dream journal so that I would write down whatever I remembered from dream upon waking. This is the favored technique for developing dream recall. Keep pad and pen next to bed. It only takes a few weeks before vague recollections become intense, lucid dreams with a great amount of detail remembered upon waking. Certainly, I became increasingly aware and alive during many dreams at this time, in a way that I cannot achieve in my waking state. I had been reading Carlos Casteneda's the Art of Dreaming which focused me a lot.
When I saw floods and asked where it was, the voice replied; "Papa New Guinea" and then; "Everywhere." In the years around the millennium there were many flooded coastlines, all over the world. Papa New Guinea flooded a month after my dream.
When I watched the Twin Towers collapse and then two weeks later they actually were demolished, I closed my dream journal. I couldn't take any more. Cynics would accuse me of faking the journal to protect their ignorance. I didn't, it is real. I left it on the bookshelf and haven't opened it since.
Scrying dreams are one aspect, because when we dream we leave the material world and the laws of physics governing reality are such that the material world is the time based world. Time = Matter and Matter = Time, it is a law of physics. Different materials vibrate at a different tempo and exist in a different time-zone, we get the sensation of deja vu when timestreams combine.
I dreamed I was speaking with a person from the past a few hundred or more years ago, and one from the future. We established this as a fact, and the three of us agreed that Dream takes us out of our material waking time and places us into a different realm where time doesn't exist in the same way.
Another aspect of Dream is shared dream. One of the locations I dreamed of and drew, my friend who I have dreamed walking around a building representing my mind, opening doors for me to make better connections, he told me that he had dreamed about the temple garden in my drawing. I asked him what lay just to the left of the courtyard and he laughed, described the well. Little facts like this are proof positive that Dream locations exist and are as real as material world locations, and can be visited by different dreamers. When I was staying with my mate in Somerset, we both dreamed that we were renegade soldiers fighting the military who had teamed up with hostile aliens, against another part of the military who had teamed up with friendly aliens, renegades from the hostile ones. It was complicated and we resolved the most surest way to cleanse the whole situation and save humanity at large from the threat was to blow everything up. We did just that and on waking, "I dreamed about you last night!" "Yeah we were fighting aliens" "Oh my god!" etc.
Dreams to program reality into being are something that I got into after these initiation stages. I would dream of being present to pacify bullies by taking away their weapons and to counsel their victims. Or to speak with people who needed healing, knowing that I was communing with their dream-soul self who had sought me out for guidance, needing help.
I have not dreamed fully like this for many years.
To Dream you need excess sleep; and now, I do not get enough sleep.
I watched an amazing film by director Peter Weir called The Last Wave, the first time that any aboriginal Australian shaman appeared on film doing their rituals, real genuine rituals woven skillfully into the movies storyline. It teaches Dreamtime. When the director arrived in town looking for the shaman, the shaman found him "come, we have been expecting you, to make movie." he said. The film uses the aboriginal Australian word for Dreamtime; Manaya. The Mayan cultures of the America 's use the same word to describe dreamtime. It is a word learned from Dreamtime, and the shamen of all these groups communicate in the dream worlds, and throughout 'time'. Obviously.
Time is frequency based, it is not linear. This concept takes a lot for western muggles to get their heads around. Linearity exists only because we are falling forward toward the light, as reality accelerates, the frequency shifts upward. It is imperceptible for the most part however it does have the effect of creating forward motion called Time, which varies from observer to observer depending on the energetic density of that observer.
Events repeats itself in loops, as Time cycles, spirals.
The aboriginal Australians are the planetary knowledge holders, wisdom-keepers, for these physics. They describe the Dreamtime as a creative time, where our songs are heard and which then manifest as lived events. This is another aspect of Dreaming, another use of the same word for a different context. Bruce Chatwin's the Songlines is a tremendous start in the journey of comprehending the importance of this concept, that we manifest experience from our preconceptions. This is the core of modern contemporary magickal ritual work.
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